LXXXI - The Quareia Magician's Deck

LXXXI - The Quareia Magician's Deck is a unique magical tool for 21st century magicians. LXXXI is a collaboration between magical artists Stuart Littlejohn and Cassandra Beanland, and magical adept Josephine McCarthy. All of the paintings are original works of art in oil, acrylic, or water colour, and are the result of three years painting and collaboration.

The deck has 81 cards, a mystical number that relates to completion, and it is divided in to four realms: the Divine Realm (red borders), the Inner realm (blue borders), the physical world (green borders) and the realm of death and the underworld (black borders). The further away from humanity a being or place is, the less human it becomes. This is reflected in the deck, and can teach a magician a great deal about how beings function and why.

On this site not only can you buy the LXXXI deck and/or the original paintings, but you will also find layouts, and free  guidance text for using the deck. A blog with interpretation advice is also available.

LXXXI - The Quareia Magician's Deck  is not based upon any tarot system, but rather it draws upon the mythic, mystical and magical powers that underpin the magical systems that tarot eventually developed out of. It is based upon real inner realms, real inner contacts, beings and forces that the practitioner of magic is very likely to involve themselves with. 


Because of this approach, the deck works as a contacted deck, i.e. used magically the images can act as gateways to inner realms, inner beings and magical patterns. It is not a deck for casual tarot readers, rather it is a deck specifically designed for magical students, practitioners, workers and adepts working within the broad spectrum of Western magic. It can be used for magical divination, or as a direct connection to inner contacts, as gateways for meditation, magical visionary work , soul exploration, or contacted ritual work

To ensure that the images do not become entangled in magical misconceptions, we have moved away from the relatively modern use of set ‘names’ for the beings in the images, and instead we have reverted to a very ancient way of presenting inner beings: we  name them according to what they do. That way, there is no ambiguity about what a being actually is. 

Magicians from most magical systems will recognize many if not all of the beings in this deck, not from their images, but from what they do, where they are from, and what power they operate through. This approach enables magicians/practitioners from many different magical and spiritual traditions to be able to recognize the powers in this deck, and to work with them within their own magical system.